by Eduardo Brethauer | Aug 12, 2020 | Music
Transagelic Exodus (Ezra Furman) Ezra Furman does not abandon his social and political theme, but he does it from another dimension. With its indie-pop sounds and poetic lyrics, it hugs and releases us with a buzz. Every time we think we step on known terrain, the...
by Eduardo Brethauer | Aug 12, 2020 | Music
Songs of Praise (Shame) Shame is the typical post-punk band of southern England, which is no shame, led by the energetic Charlie Steen. At a concert, he appeared on crutches and climbed a sound tower. On another occasion, he spits into the sky and, on the cold London...
by Eduardo Brethauer | Aug 12, 2020 | Music
Bottle It In (Kurt Vile) It is already the seventh delivery as a soloist of the singer-songwriter of Philadelphia and once again surprises us with his assembly of psycho-folk-rock. It is an album that smells of coffee and smoke, dawn and hope (lessness). In 80...
by Eduardo Brethauer | Aug 12, 2020 | Music
Boarding House (Jack White) Jack White never takes the easy road. Nor bewilder. Although some received this album with indifference (did they want me to throw the house out the window?), The Detroit musician delves into the classic sounds with an original and virtuous...
by Eduardo Brethauer | Jul 22, 2020 | Music
American Utopia (David Byrne) It is the continuation of his multimedia project Reasons to Be Cheerful. By the hand of Brian Eno, his inseparable musical accomplice, David Byrne does not complain about the world, but sends a poetic message of optimism with beautiful...
by Eduardo Brethauer | Jul 22, 2020 | Music
Tranquility Base Hotel & Casino (Artic Monkeys) It is not the album that fans of Artic Monkeys awaited. Maybe that’s why I like it a lot. It does not have the stridency or density of its guitars. It could have been a solo album by Alex Turner, after...
